✍ The Fervent Years pdf ✎ Author Harold Clurman – Moi-sosedi.info

The Fervent Years a little self congratulatory, a little long winded but digestible it s a comfort to know that theater is just as impossible now as it was in the 30s. Harold Clurman s memoir of the Group Theatre is enlightening and inspiring It s also a bit dry As far as showing me what a little fervency and passion can accomplish Clurman gets a gold star However, their endless self criticism and refusal to accept any script production praise as good seem to me to be a large part of their inability to continue I believe I understand why the Group Theatre is a fundamentally huge building block of modern American theatre, but I think th The Group Theatre Was Perhaps The Most Significant Experiment In The History Of American Theater Producing Plays That Reflected Topical Issues Of The Decade And Giving A Creative Chance To Actors, Directors, And Playwrights Who Were Either Fed Up With Or Shut Out Of Commercial Theater, The Group Remains A Permanent Influence On American Drama Despite Its Brief Ten Year Life.It Was Here That Method Acting, Native Realism, And Political Language Had Their Tryouts In Front Of Audiences Who Anticipated Indeed Demanded A Departure From The Broadway Show Biz Tradition In This Now Classic Account, Harold Clurman, Founder Of The Group Theatre And A Dynamic Force As Producer Director Critic For Fifty Years, Here Re Creates History He Helped Make With Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, And William Saroyan Stella Adler Contributed A New Introduction To This Edition Which Remembers Clurman, The Thirties, And The Heady Atmosphere Of A Tumultuous Decade. Man o man This one took me awhile I did find it inspiring and uplifting at times and hopelessly dry at others It s, quite literally, a play by play of The Group Theatre from beginning to end It s interesting that the struggles Clurman was facing are the same ones we face today the commercialism, a small and narrow audience pool, the lack of good theate Fantastic book about the evolution, triumph and dissolution of The Group Theater by its architect, the late Harold Clurman His prose is a bit thick at times, but his razor sharp observations about the Group s work, his colleagues, and his ow What theater geek couldn t love Clurman s stories of Stella Adler s tantrums, Lee Strasburg s obsession with real emotion, or Clifford Odets rise and fall Even better is his account of the Group Theater s struggels as a mission driven producing organization Non profit American theater owes its heart to The Group and it was really fun to see how it all began That said, Clurman does go off on some fairly legnthy theoretical diatribes But then again, that s what visionaries are supposed to hav What theater geek couldn t love Clurman s stories of Stella Adler s tantrums, Lee Strasburg s obsession with real e Like most of the other reviews I ve seen, I really enjoyed parts of the book and found a large percentage of it extremely dry Most of it concerns the budgetary concerns, inability to raise funding, and the poverty in which the members of The Group lived. This is a must read for anyone in the theatre It made me question what my purpose was in pursuing a career as an actress and what I am contributing to the world and the art by going after my dream I wish I was as clear about my passion as Harold Clurman. This is a must read for any student of theatre It details the roots of our current acting traditions in america.The first hundred pages is very challenging In effort to provide a complete history of the Group, the details become dense and the writing a bit clunky In fairness, as the references and names becomefamiliar, the book becomesdigestible It is fascinating both because of and in spite of the play by play style that Clurman employs I am left imagining Clurman as a man This is a must read for any student of theatre It details the roots of our current acting traditions in america.The first hundred pages is very challenging In effort to provide a complete history of the Group, the details become dense and the writing a bit clunky In fairness, as the references and names becomefamiliar, the book becomesdigestible It is fascinating both because of and in spite of the play by play style that Clurman employs I am left imagining Clurman as a man divided He seems to have a vision of an ideal and yet, also I got the sense of him being removed, an arm s length away Maybe it is the byproduct that comes with the self reflection of one s own past or history Perhaps, it came across that way to me, because of his desire to be objective about how things occurred In re reading Stella Adler s introduction to this edition, I think, it may have been this desire to be objective that spared me, sixty four The Fervent Years deals with the creation of The Group Theatre, one of the founding performing companies in American Theatre.This book, written in 1944, describes the building blocks, the rise and the fall, and eventual demise of this organization of actors, directors, playwrights, producers and others responsible for a major infusion of talent and ideas in this theatrical endeavor The author, Harold Clurman, along with Lee Strasberg and Cheryl Crawford formed the company in the late 1920 s, w The Fervent Years deals with the creation of The Group Theatre, one of the founding performing companies in American Theatre.This book, written in 1944, describes the building blocks, the rise and the fall, and eventual demise of this organization of actors, directors, playwrights, producers and others responsible for a major infusion of talent and ideas in this theatrical endeavor The author, Harold Clurman, along with Lee Strasberg and Cheryl Crawford formed the company in the late 1920 s, with productions running from 1931 to 1941 Along the way, some of the early greats of the performance scene are talked about Stella Adler, Clifford Odets, Elia Kazan, Constantine Stanisl

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