[Read] ➪ The First Collection of Criticism by a Living Female Rock Critic By Jessica Hopper – Moi-sosedi.info

The First Collection of Criticism by a Living Female Rock Critic Excellent Easily one of the, if not THE, best collections of music criticism to come out this year, and maybe in the last few years. Wonderfully written, a little scattershot, very readable I learned so much about music that I ll never listen to. Download The First Collection Of Criticism By A Living Female Rock Critic By Jessica Hopper Ivogue.co.uk Jessica Hopper S Music Criticism Has Earned Her A Reputation As A Firebrand, A Keen Observer And Fearless Critic Not Just Of Music But The Culture Around It With This Volume Spanning From Her Punk Fanzine Roots To Her Landmark Piece On R Kelly S Past, The First Collection Leaves No Doubt Why The New York Times Has Called Hopper S Work Influential Not Merely A Selection Of Two Decades Of Hopper S Most Engaging, Thoughtful, And Humorous Writing, This Book Documents The Last 20 Years Of American Music Making And The Shifting Landscape Of Music Consumption The Book Journeys Through The Truths Of Riot Grrrl S Empowering Insurgence, Decamps To Gary, IN, On The Eve Of Michael Jackson S Death, Explodes The Grunge Era Mythologies Of Nirvana And Courtney Love, And Examines Emo S Rise Through This Vast Range Of Album Reviews, Essays, Columns, Interviews, And Oral Histories, Hopper Chronicles What It Is To Be Truly Obsessed With Music The Pieces In The First Collection Send Us Digging Deep Into Our Record Collections, Searching To Re Hear What We Loved And Hated, Makes Us Reconsider The Art, Trash, And Politics Hopper Illuminates, Helping Us To Make Sense Of What Matters To Us Most. I m in two minds about this collection of essays There s some great stuff in there, and I really like what Hopper stands for and her style of music criticism that goes beyond technicality and into the sociocultural impacts of music A really poignant piece was the one on R Kelly is music a moral experience can we ever separate a song from the artist who made it, the words they speak and the broader context of it , and I found the piece about advertising x musicians really interesting I did I m in two minds about this collection of essays There s some great stuff in there, and I really like what Hopper stands for and her style of music criticism that goes beyond technicality and into the sociocultural impacts of music A I want to go back in time and give this to 15 year old me Required reading for all teen girls showing a real interest in music. Jessica Hopper is a bad ass Not just for speaking her truth about all aspects of popular music and not so popular music and not just for being a woman in the male populated music critic industry Her eloquent and descriptive opinions are bad ass Her words themselves are bad ass Her writing sure as hell is, and so is her obvious fearlessness I knew nothing about Jessica Hopper going into this collection, but very quickly understood that I really liked this woman I didn t always agree with Jessica Hopper is a bad ass Not just for speaking her truth about all aspects of popular music and no I will be the first to admit that I know close to nothing about music The other day I asked my coworker if Billy Joel was a country singer , so as much as I d love to say I would even be able to identify a Nirvana song if it came on the radio, the few singers I had heard of that were featured in this collection were basically Miley Cyrus and Lady Gaga So I m just working with the idea that Jessica Hopper knows what she is talking about, and she does She proves her credibility in each piece no I will be the first to admit that I know close to nothing about music The other day I asked my coworker if Billy Joel was a country singer , so as much as I d love to say I would even be able to identify a Nirvana song if it came on the radio, the few singers I had heard of that were featured in this collection were basically Miley Cyrus and Lady Gaga So I m just working with the idea that Jessica Hopper knows what she is talking about, and she does She proves her credibility in each piece not just as one of the major female music critics but one of the major critics period I love the feminist message she delivers that women, especially young women, have been present in punk rock since the beginning And not just as groupies flashing the bad boy mu I first saw this book at the Chicago Zine Fest a few weeks ago, took note of its gilded glory like the bible , and thought, Oh, what the fuck is this up its own ass Pitchfork bullshit But then I thought, You know what No You gild those pages, Jessica Hopper Why the fuck not It s about time women s writing about the popular musics got this kind of treatment I d already read a few of the essays the R Kelly interview with Jim DeRogatis and the terrific oral history of Live Through I first saw this book at the Chicago Zine Fest a few weeks ago, took note of its gilded glory like the bible , and thought, Oh, what the fuck is this up its own ass Pitchfork bullshit But then I thought, You know what No You gild those pages, Jessica Hopper Why the fuck not It s about My review for the Chicago Tribune The show business saying everyone s a critic came into common usage in the middle of the last century, but it s arguably never beentrue than now In our era of Yelp and , Twitter and Facebook, every literate person with a reliable Internet connection can opine on every commodifiable element of human experience.So why write criticism professionally, and why write criticism on a writer who is herself a professional critic The title of Pitchfork sen My review for the Chicago Tribune The show business saying everyone s a critic came into common usage in the middle of the last century, but it s arguably never beentrue than now In our era of Yelp and , Twitter and Facebook, every literate person with a reliable Internet connection can opine on every commodifiable element of human experience.So why write criticism professionally, and why write criticism on a writer who is herself a professional critic The title of Pitchfork senior editor Jessica Hopper s The First Collection of Criticism by a Living Female Rock Critic sums up why this particular book is important Hopper acknowledges in her opening note that this self reflexive and confrontational name is about planting a flag and offers nods to her forebears, while suggesting that her readers consider why there haven t beenThere s Ellen Willis Beginning to See the Light, she writes, though it wasn t all music writing, an As someone who grew up reading collections of music articles growing up, it took until seeing Jessica Hopper s that I realised I had literally never read one by a female As she s quick to point out, despite the title, she isn t technically the first, but that doesn t mean that they were commonly available.So, we start with Emo Where The Girls Aren t, which was penned just as I was the demographic she feared for, the teens whose introduction to music was the genre she d tired of in it s narrati As someone who grew up reading collections of music articles growing up, it took until seeing Jessica Hopper s that I realised I had literally never read one by a female As she s quick to point out, despite the title, she isn t technically the first, but that doesn t mean that they were commonly available.So, we start with Emo Where The Girls Aren t, which was penned just as I was the demographic she feared for, the teens whose introduction to music was the genre she d tired of in it s narrative of one sided heartbreak By the time you get to You Know What , which calls older rocker ladies decrying the attempts of those in future generations as unproductive, I m pretty hooked on the book From these hallmarks, it s a book unlike one I ve read in music, it deals with the female experience through articles in a way I ve never seen in a collection probably, you d g

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